> النص بالعربية

Oraib Toukan



The New Middle East

2007 | Interactive Installation; foam, magnet, neon, iron; dimensions variable
by Or
aib Toukan

The New(er) Middle East is an interactive installation of a puzzle in the shape of a territorial map of the Middle East made from suspended foam-magnet bits. The installation asks you to re-assemble the map. The idea of creating the map as a magnet puzzle came about when the artist stumbled upon a scientific definition of memory as “the ability of a material to return to its original shape after being subject to deformation.”

The installation she created is a humorous play on the so-called ‘New Middle East Map.’ The map was originally suggested by retired United States Army Lieutenant Colonel Ralph Peters as his ‘proposition’ of ‘how a better Middle East would look.’ The bits you have to work with are fragments of the region's current nation states. They were created by superimposing the Colonel’s proposed map of the Middle East onto the present, post Sykes-Picot one, and cutting out the areas that formed.

The only part of the Middle East which is fixed in Toukan’s map is Palestine. It forms the building block of the puzzle, around which all other blocks can be assembled. This was inspired by the treatment of “Israel and the West Bank” in the Colonel’s plan as territories whose status is “undetermined.”

Oraib Toukan’s interactive installation amusingly reignites discourse about the plan and possibly even the fabrication of new conspiracy theories by allowing people to draw and redraw the synthetic borders of an artificially assembled and fluidly labeled area known today as ‘The Middle East.’

 



 
 

See also:

> Counting Memories, by Oraib Toukan
Remind me to remember to forget - video
The New Middle East - interactive installation
One donkey and three phrases - video installation
Man with a tattoo - photography
Icon Series - photography
Trying to count memories without laughter’s disruption - video
Good Morning Beirut - installation

Contemplating Oraib Toukan’s Counting Memories by Nat Muller
Review by Sama Alshaibi
Review by Pierre Abi Saab


> Au Detour du Jourdain, photography by Farida Hamak

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