> النص بالعربية

Oraib Toukan



Icon Series

2006-2007 | Digital C-Type Prints (metallic), 70 x 105 cm

Over the course of two years, Oraib Toukan searched everyday public spaces in Jordan for a representative vernacular iconography. Icon Series is the result of this journey - an exploration in pursuit of a memory of the present and an investigation into its role in the shaping of collective Jordanian perception, and there-from, identity. ‘Jerusalem’ is an important and ubiquitous centerpiece in the series. ‘God, the Nation, and the King’ also reign supreme, along with green paradises, peacocks, and horses. The end result is the subtle unearthing of a pictorial vocabulary that is unmistakably ordinary, telling of the power of the normal and the mundane in forming the explosively silent consciousness of Jordan. The prints reveal a language that weaves seemingly unrelated elements and anecdotes into one single narrative.

The photographs are inspired by the intricate layers of visual code that are unconsciously collected in one blink of the eye. Much of this code remains tucked away in our memory, stored as unprocessed data, and as such is often taken for granted.

In Icon Series, Oraib Toukan takes her photographs as though to make a memorial of some kind of present and not past. Ultimately, each frame becomes a period piece, a witness of its time.

 



 
 

See also:

> Counting Memories, by Oraib Toukan
Remind me to remember to forget - video
The New Middle East - interactive installation
One donkey and three phrases - video installation
Man with a tattoo - photography
Icon Series - photography
Trying to count memories without laughter’s disruption - video
Good Morning Beirut - installation

Contemplating Oraib Toukan’s Counting Memories by Nat Muller
Review by Sama Alshaibi
Review by Pierre Abi Saab


> Au Detour du Jourdain, photography by Farida Hamak

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