Out of the Desert

Discoveries in Beidha


A millennium before the people of Rajl carved their stones, another nomadic group appeared in the area of Petra. At first, they were only partially settled, but by the first century B.C., they had established themselves as the masters of one of antiquity’s major trade routes. This gave them great wealth and brought them into contact with elements of Graeco-Roman, Assyrian, and Egyptian cultures. As they shifted from being nomads to sophisticated urbanites, they adopted the trappings of those cultures.



The site of Beidha, about 10 km. north of Petra, formed part of the agricultural network necessary for a major city like Petra. Beidha was a place that wine was produced and it also seems to have served as a retreat for some of the citizens of Petra. Toward the end of the first century B.C., a person of great wealth built a residence on one of the high places of Beidha. Approached by a long ramp and steps, the complex contains a large hall with columns. The capitals of those columns were exceptional—each had four heads of gods carved on it. On the capitals at the entrance there are heads of Medusa on the corners and they would have warded off evil. On the columns at the corners of the room, the capitals featured grapes as might be expected in a vineyard. On the upper level were smaller capitals again with heads of deities at the center but with horned lions (griffons) at the corners.



This well decorated hall may have been used for receiving visitors and for ritual dining. An ancient text about the Nabataeans states:
The Nabataeans … prepare common meals together in groups of thirteen persons; and they have two girl-singers for each banquet. The king holds many drinking-bouts in magnificent style, but no one drinks more than eleven cupfuls, each time using a different golden cup. The king is so democratic that, in addition to serving himself, he sometimes even serves the rest himself in his turn (Strabo 16.4.26).

While the materials recovered from this site show Hellenistic, Egyptian, Assyrian, and Roman influences, there is no way of knowing how the Nabataeans interpreted what they had adopted from other cultures.

 

See also:

> Rock Art of Rajl
> Petra Papyrus Khalid & Suha Shoman
> I am everywhere, video art by Suha Shoman
> Salt of the South, graphic art by Hakim Jamain

> Desert inspirations through time
> Article by Ica Wahbeh, Jordan Times - June 1, 2006

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