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press
clips
summer academy
currently
on
workshops
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More
of the –support surface” movement is to be found in
an adjacent room. The astounding works by Vera Tamari
(Palestine) are a series of photographs, in the background,
and clay masks on poles, in the foreground. Her –Oracles
from the sea” composition is made up of amazing faces
in raw clay colour, symbolically representing the
–coming back” process. More clay works by Faisal Samra
(Saudi Arabia) complement Tamari's. This contemporary
artist's collection, –Nabataeans”, is a collage of
clay, paper and feathers, framed ingeniously in glass
panes.
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Making use of natural materials (straw, mud) and dyes (aniline,
henna), Suleiman Mansour (Palestine) shows that anything
can be turned into art. Next to his works, Moroccan Farid
Belkahia's are also made using natural material (leather)
and dye.
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Nasser
Soumi is present here as well with an imaginative and highly
symbolic composition. People leaving Akka in 1948 could
take nothing with them but the image of its sky, represented
in small pieces of aniline-dyed cloth pegged to lines that
come as an extension of his painted sea seen through an
open window. Through it, beyond a boat on the sea, white
houses are profiled on the horizon; a place engraved in
the collective memory of a displaced people, next to the
blue sky.
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Nadim
Muhsin (Iraq) is yet another artist who makes use of the square
and of natural material (rice paper or sack cloth). His sculpture
made of tin (two stylized silhouettes) is projected artistically
against the white background wall and proves that, with talent and
inspiration, everything can be used and turned into beautiful art
work.
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Completing
the display in the room, Iraqi Shaker Hassan Said's works,
spanning 30 years, illustrate the search for art, from Sufism
to abstract, of a first-generation contemporary Arab artist.
His philosophical approach, using numbers and symbols, is
present, as is his more modern method, allowing work to
flow out of the frame, excluding limitation. It is an artist's
refusal to be encased in a mould, letting imagination and
spirit soar.
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