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Shaker Hassan Al Said (Iraq)
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May
2000
Excerpts
from Mai Muzzaffer's article
"Contemporary Artists from Mesopotamia"
...It was not until the 1940's that the modern vision found
its way to the core of artistic work wherein it was conceived
by its two prominent pioneers, namely Faiq Hassan and Jawad
Selim with their adherents following suit. Working in unison
, the two creative masters labored painstakingly not only to
pave a distinctly manifest path for succeeding generations to
pursue, but to bring about the concept of artistic groupings
representing various Iraqi artist trends. In addition to that,
they founded artistic traditions and criteria that are in one
way or another still adhered to today, despite difficulties
imposed by harsh conditions to which Iraqi artists have generally
been subjected.

Iraqi's cultural isolation, brought about in consequence of
the now decade long embargo imposed on it, has given rise to
exceptional circumstances that in addition to rendering the
standard of performance disjointed and dispersed have split
Iraq into an inner and outer halves. And along Iraq's two extremities,
no less extensively outstretched than the wide expanse of the
world itself, the experiences of artists, both those who have
lived through two or more generations or those who are young,
are undergoing a process of crystallization. With visions inspired
by the bitterness of reality, the march of creative output goes
on unhindered, both inside Iraq and outside it, as though art
is a spirit kindling over the soil of this time-honored land
and engendering one generation after another...
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