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Plan
of the main building,first floor |
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Plan
of the blue house |
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Plan
of the visiting artists' residence |
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The
Houses of the Darat al Funun type have a symmetrical floor plan,
a central hall with a line of rooms at each side. The central hall
often has a porch with pillars covering the front entrance; while
at the other end of this hall is another back entrance. Both of
the two entrances of this central hall are located in the middle
of each end wall, having rooms on each side. This central room can
only receive sufficient light from windows symmetrically flanking
each door in the front and back walls. Being oblong, with a length
at least twice its width, the central hall becomes the connecting
space for the rooms on each side.
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The side rooms are
almost square,with doors leading from each room to the other,
directly beside the door that leads to the central hall. In
such a layout doors are numerous. Up to 8 doors can be found
in the walls of the central hall, and 3 in the walls of the
side rooms. These houses had floor plans with doors in abundance,
but in terms of the privacy of the individual as we see it
today; they left much to be desired. From the front porch,
doors leading to the side room are used by guests to enter
without passing through the central hall, thus providing privacy
only to protect the members of the household from outsiders,
rather that one member of the family from the other.
This typical floor plan of the 1920s, referred to as "the
central hall house" or "the three bay house," could be seen
as rooms surrounding a small roofed courtyard. Its origin
is also explained by looking at the structural logic of symmetrically
combining negative spaced with walls in between. |
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Similar to typical floor plans of barns, churches, and many other
prototypical structures, the central hall house has three lines
of roofed spaces contained by four lines of structural walls. This
arrangement of an odd number of voids and an even number of structural
lines also works on different scales, the only difference being
that one void and two side walls provide a single room or a linear
house one-room-wide, whereas five voids and six structural lines,
or any bigger odd number of void with bigger even numbers of structural
lines, would result in a dark room at the centre of the building.
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