Suha Shoman:- JORDAN

Born in Jerusalem in 1944
Studied law in Beirut and Paris
Joined the Fahrelnissa Zeid Institute of Fine Arts in
1977
Founder and President of Darat al Funun in 1993
Works and lives in Jordan
Of time and Sand
By
Pierre Cabanne 1999
Suha
Shoman frees from the mineral night forms that she alone
can see, giving life to their mysterious barrenness. Her
eyes and hands guide her spirit in this world of stones,
tombs, funeral chapels, caves, temples, now in ruin and
deserted, that in Greek is named the Nabataean, the ancient
Sela, the Rock; she is its chosen painter whose works
have been destined to explore, ever since, in 1988, the
legend of Petra, theme of her first exhibitions, inspired
her, this impressive heterogeneous mixture of red sandstone
set against the blue marble sky. She does not depict Petra,
she carves its forms and forces out of the immemorial
time where they had been inscribed, witnesses of a history
and, above all, of a symbolism nourished by myths and
beliefs, majestic wrecks of a life that vanished centuries
ago.
installation, mixed media on canvas,
290x175cm,1986-1996
Suha Shoman's work is a successive memory landscape evolving
from one cycle to the other, from the naturalism of her first
paintings on canvas or paper to the expressive verticality
where vibrant, abstract matter is treated in depth, reconciling
spirituality and instinct under the sign of lyricism (Petra
III).
Suha Shoman overcomes the impasse of simple transcription,
she immerses herself in the stratified crumbled rocks, wrinkled,
slashed by open wounds, sculpted by water and wind; during
her existence, that took her from one part of the world to
the other, she carried Petra's profound sense beyond its image.
These rocks witnessed the birth, growth and fall of civilizations
that have created the modern world. That is why Suha Shoman
knows she is connected to them and why she perpetuates them
in her paintings. Her creative act makes full use of space;
her affective intensity is an expression of her desire to
know.
PetraIII
Sand & mixed media on paper,
105x75cm, 1995

Art
Book
Mixed media on paper,
20x33cm, 1995
In
order to better penetrate the space, she uses sand, piling
it, mixing it, draining it and giving it the colour of its
origins; her mixed techniques restore the geology of Petra's
chaos, the land burnt by the sun and the stone which is at
once matte and glowing. At times, in Suha Shoman's installations
there is confrontation between the stillness of the rock fragments
she picked on site and the movement of her creative act. It
is through their extension and the resonance they stir in
her that she understands and represents the landscape that
set free the painter in her.
By Pierre Cabanne 1999 French Art Historian and
Critic Among his publications on Contemporary art: " The
Century of Picasso", "Duchamps and Cie", "Fautrier", "Cesar",
"Arman", "Messagier", "Garouste"
Translated from French by: Ica Webeh Editor Jordan Times
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